What we tested
We installed cinetic 1.5.1 (commit a6a6a02) into an empty project and gave Claude Code the brief above, headless, with no follow-up: once on Claude Fable 5.2 and once on Claude Opus 5.5, each in a fresh folder. The machine had Node, ffmpeg and uv but only Python 3.10 and no earshot, so each run had to do the skill's setup first. We asked both to keep everything inside the project folder.
What we found
- Fable 5.2 delivered a finished film. A 1920×1080, 30 fps MP4 of 15.13 seconds for "Pagewren 2.0", an invented notes app by an invented studio, with three changes (ask your notes, shared notes that update live, voice memos that become pages), a licensed Mixkit music track, recorded Mixkit sound effects, a mix at −14 LUFS, a poster and a credits file. You can watch it above.
- Opus 5.5 did the same for less. Its film, "Notara 2.0", came out at 13.97 seconds with a Coverr track, in 18 minutes and 91 turns for $3.60. Fable 5.2 took the same 18 minutes in 83 turns but cost $6.26, about 1.7 times as much. The two films look alike because both used the update template's scenes.
- Setup worked without help, but not cleanly. Both runs created a Python 3.11 environment with uv and built earshot 0.4.1 from its GitHub tag (the PyPI package of that name is an unrelated library, as Fable noted). Some cinetic scripts ignore the cache setting and write to
~/.cinetic. Opus noticed and moved the files back; Fable reported them and left them, along with about 1.6 GB of earshot audio-model caches in~/.cache/earshot, which also ignored its redirect. - The template sets the length. The update template fits the film to the music's bars and locks its timing limits, so neither run hit 15 seconds exactly: 15.13 on Fable's 110 BPM track, 13.97 on Opus's.
- The checks are strict, and some still failed. Fable's run ended with 3 failed forensic checks and 18 warnings (a 1-pixel camera settle read as a push-and-back, a one-frame pop, light-background banding, one headline at 2.65:1 contrast); Opus's with four flagged moments in the template's own scenes. Both agents judged them minor and left them, and said so.
- Most of the look comes from the skill. The headline cards, notification stack, flying page and logo pull-back are cinetic's scenes. The agent wrote the brand, the copy and the content, and chose the scenes. That is why a short run already looks finished, and also why films can share a family look.
The author's demos above are longer and more varied than our 15-second runs. For a real launch, budget the skill's own one to two hours, supply your actual logo and screenshots, and expect to accept the length the music gives you or tune the template.






